The baby logos of automotive car giants
Saturday, April 26, 2008
“It is never too late to have a happy childhood"
- Tom Robbins (American Novelist. b.1936)
Well I guess that quote was heard by some designer having interest in the automotive industry and what came out was a treat to the eye! You must have seen the product and the brand logo of famous automotive giants Ferrari, Jaguar, Lamborghini and Maserati, ever wondered how would these logos look in their younger years? Absurd question, no?
Not for some. Here is a list of all these brand logos when they were 'young' !! And in case you don't know/remember the actual logos, they have been put alongside just for you!
Artists! They never fail to amaze me, a imaginative Piscean :)
PS: Click the thumbnail image below to see full resolution image.
via: http://www.minichamps.de
posted by Jas @ 12:50 AM,
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DLF - The entertainment's daddy
Sunday, April 13, 2008
After the much hyped about auction of players by BCCI and then selling the title sponsorship to DLF and media rights to Sony, here comes another high decibel advert for Indian Premier League (IPL). Famous or say notorious now by the the title - ManoRanjan ka baap - IPL (Entertainment's daddy - IPL) this advert is a big hit. The 75-second TVC which will run all through the 44 days of IPL and is directed by Rajesh Krishnan of Soda Films. DLF IPL kicks off at 4 pm on 18 April.
StoryBoard
The ad starts with a lady delivering twins but the irony is that the father of the kids is unknown. The twins are named as 'Ranjan' and 'Mano'. During the next eight years, it’s become the norm for people such as the local pujari (priest), kiranawala (small shop owner) and chapris (roadside romeos) to torment the kids with the question, “Kab aayega tumhara baap?”, and to tease their mother lecherously.
Tired with all this, the three lead a hopeless life. One day the mother thinks its enough and decides to jump in a well; but suddenly the bells in the temple ring and the kids holler for their mother, saying, “Maaaaa! Baaaapppuuuu!” in a typical Rajesh Khanna style. The mother knows that the wait is over. She puts red sindoor in her hair and enters the house. The scene is hilarious as the voiceover says: “Aa gaya Mano-Ranjan ka baap (father). DLF Indian Premier League. Sirf Max par.”
The best part is that if you are watching the advert for the first time, you won't get any idea of what is going to happen. The names are spelt as Ranjan Mano, with only once going as "Mano Ranjan". Its not easy to hold on to the idea when you know you have got a winning ad coming out.
Going by the public appeal, this is one of the most funny and clever commercials currently on air. Its a simple idea, executed really well. Ads like this more often than not, go wrong in the execution phase, but this one is bang on the target. That filmi eighties kind of look and dialogs from Indian cinema, perfectly suit this ad.
Rediff wrote that , ‘An industry source said BCCI had allocated roughly Rs 100 crore as its (IPL) advertising budget,’. And aptly mentioned by Adholik, normally with such high bugdets, creativity goes for a toss, because its easy to get all the stars with such money and have them sing and dance, shoot it on camera and call it an ad. But thankfully, things din't become figurative over here.
"The campaign projects IPL more than a sport. It redefines the entertainment by taking this sport to a new level," said Max VP marketing T Gangadhar. The radio campaign has a different treatment as it is a listener's medium. Out-of-home (OOH) hoardings displaying the IPL event have been erected in 150 towns. Besides the channel will have on-ground promotional activity across India as the tournament approaches.
"Males were always skewed towards cricket but with a 360 degree approach our attempt is to get the entire family to view IPL as the matches are scheduled for prime time," added Gangadhar. The biggest challenge is to predict the viewership, admits CD Mitra, CEO, Optimum Media Solutions: "It is a big gamble for all those who have invested in it and also for those who haven't. For most programmes the value and money is preceded by some evaluation. But in case of IPL the variations of prediction are very large."
StoryBoard
The ad starts with a lady delivering twins but the irony is that the father of the kids is unknown. The twins are named as 'Ranjan' and 'Mano'. During the next eight years, it’s become the norm for people such as the local pujari (priest), kiranawala (small shop owner) and chapris (roadside romeos) to torment the kids with the question, “Kab aayega tumhara baap?”, and to tease their mother lecherously.
Tired with all this, the three lead a hopeless life. One day the mother thinks its enough and decides to jump in a well; but suddenly the bells in the temple ring and the kids holler for their mother, saying, “Maaaaa! Baaaapppuuuu!” in a typical Rajesh Khanna style. The mother knows that the wait is over. She puts red sindoor in her hair and enters the house. The scene is hilarious as the voiceover says: “Aa gaya Mano-Ranjan ka baap (father). DLF Indian Premier League. Sirf Max par.”The best part is that if you are watching the advert for the first time, you won't get any idea of what is going to happen. The names are spelt as Ranjan Mano, with only once going as "Mano Ranjan". Its not easy to hold on to the idea when you know you have got a winning ad coming out.
Going by the public appeal, this is one of the most funny and clever commercials currently on air. Its a simple idea, executed really well. Ads like this more often than not, go wrong in the execution phase, but this one is bang on the target. That filmi eighties kind of look and dialogs from Indian cinema, perfectly suit this ad.
Rediff wrote that , ‘An industry source said BCCI had allocated roughly Rs 100 crore as its (IPL) advertising budget,’. And aptly mentioned by Adholik, normally with such high bugdets, creativity goes for a toss, because its easy to get all the stars with such money and have them sing and dance, shoot it on camera and call it an ad. But thankfully, things din't become figurative over here.
"The campaign projects IPL more than a sport. It redefines the entertainment by taking this sport to a new level," said Max VP marketing T Gangadhar. The radio campaign has a different treatment as it is a listener's medium. Out-of-home (OOH) hoardings displaying the IPL event have been erected in 150 towns. Besides the channel will have on-ground promotional activity across India as the tournament approaches.
"Males were always skewed towards cricket but with a 360 degree approach our attempt is to get the entire family to view IPL as the matches are scheduled for prime time," added Gangadhar. The biggest challenge is to predict the viewership, admits CD Mitra, CEO, Optimum Media Solutions: "It is a big gamble for all those who have invested in it and also for those who haven't. For most programmes the value and money is preceded by some evaluation. But in case of IPL the variations of prediction are very large."
Labels: Brands, Funny, Launch, TVC
posted by Jas @ 8:39 PM,
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Bajaj Pulsar - Corporate Ad
Sunday, April 06, 2008
I had written about a quarter back that how the companies across India are increasingly focusing on the corporate brand identity and not just its brands. The advertisements have been carrying the main logo in the end to make a uniform mental impression and instigate a consumer bookmark. Latest to join the wagon is Bajaj Pulsar.
While Bajaj is primarily known for its line of retro-style scooters in America, Bajaj is a major player in their home country of India back here in the motorcycle market. Their flagship model, the Pulsar, is a very respected motorcycle in India. This bike has virtually redefined biking in this country. Pulsar launched in 2001 is the market leader in the 150 cc + performance bike segment. More than that , this brand changed the fortune of Bajaj Auto Ltd.In the wonderfully executed latest TVC, the ad gets what it was made for. Good videography, professional stunt riding and well planned choreography make quite a display, even when the riders are mounted on machines with a mere 200cc of engine capacity. In case you were wondering, that 0.2-liter manages 18 horsepower, which looks to be plenty to have fun with, especially as I have been really happy with the 13.3bhp (@8000rpm) from my darling Honda Unicorn.
Story of success for Pulsar starts with the elder son of Rahul Bajaj coming to India and pushing for higher power bikes. Bajaj had been making mainly scooters and had small range of bikes with technological collaboration with Kawasaki. To prove himself, Rahul gave his son Rajiv (fresh post-grad in engineering from Warwick then) made a new plant - Chakan (near Pune). And that is from where a new bike called Pulsar rose from the ashes of Bajaj Scooters! And a good part of the success is also attributed to the 'Definately Male' campaign made by O&M for bike's launch.
According to agencyfaqs, the birth of the "Definitely Male " campaign is interesting. The creative honchos found the new product from Bajaj distinctly different. It was Bajaj's first bike without Kawasaki label. The new bike was an R&D and design marvel. Pulsar was designed by the renowned design house Tokyo R&D. O&M knew that the communication of this brand should also be different.Starting with lot of ideas, O&M stuck upon the Big Idea of India's He-Bike. Although lot of bike take the persona of Macho bikes it was more oriented towards being "sexy". The Big Idea was to position the bike as World's first bike endowed with a Sex ( Gender).Thus born the classic campaign of all times " Definitely Male". The campaign together with the design and performance catapulted the brand into stratospheric sales level.
Bajaj targeted the 18-24 with Pulsar but later found that the brand appealed to a much older audience. This helped Bajaj to change its target audience to 21-35 years.
Unlike its old ways of doing things, Bajaj did not rest with the laurels. It knew that Pulsar is the golden key to control the entire bike market. Hence Pulsar got undivided attention from the company. In 2003 another milestone event happened in the product lifecycle of the brand. Bajaj launched its new technology DTSI. DTSi stands for Digital Twin Spark Ignition which delivered more power and efficiency. The increased performance of the brand took Pulsar to greater heights. 2004 and 2005 saw some cosmetic changes in the brand which excited the customers and thus cementing Pulsar's position in the market.
I agree with Bajaj here that its high time they start focusing on the brand image of Pulsar. The adverts now need not to target sales but the brand building - to make Pulsar reach the status of a cult bike. These kinds of adverts, mainly seen from biggies like Nike, Coca Cola, Dove etc make you gasp and maybe even clap! And this ad is no less. Take a look here (ad culled from YouTube)
Story of success for Pulsar starts with the elder son of Rahul Bajaj coming to India and pushing for higher power bikes. Bajaj had been making mainly scooters and had small range of bikes with technological collaboration with Kawasaki. To prove himself, Rahul gave his son Rajiv (fresh post-grad in engineering from Warwick then) made a new plant - Chakan (near Pune). And that is from where a new bike called Pulsar rose from the ashes of Bajaj Scooters! And a good part of the success is also attributed to the 'Definately Male' campaign made by O&M for bike's launch.
According to agencyfaqs, the birth of the "Definitely Male " campaign is interesting. The creative honchos found the new product from Bajaj distinctly different. It was Bajaj's first bike without Kawasaki label. The new bike was an R&D and design marvel. Pulsar was designed by the renowned design house Tokyo R&D. O&M knew that the communication of this brand should also be different.Starting with lot of ideas, O&M stuck upon the Big Idea of India's He-Bike. Although lot of bike take the persona of Macho bikes it was more oriented towards being "sexy". The Big Idea was to position the bike as World's first bike endowed with a Sex ( Gender).Thus born the classic campaign of all times " Definitely Male". The campaign together with the design and performance catapulted the brand into stratospheric sales level.
Bajaj targeted the 18-24 with Pulsar but later found that the brand appealed to a much older audience. This helped Bajaj to change its target audience to 21-35 years.
Unlike its old ways of doing things, Bajaj did not rest with the laurels. It knew that Pulsar is the golden key to control the entire bike market. Hence Pulsar got undivided attention from the company. In 2003 another milestone event happened in the product lifecycle of the brand. Bajaj launched its new technology DTSI. DTSi stands for Digital Twin Spark Ignition which delivered more power and efficiency. The increased performance of the brand took Pulsar to greater heights. 2004 and 2005 saw some cosmetic changes in the brand which excited the customers and thus cementing Pulsar's position in the market.
I agree with Bajaj here that its high time they start focusing on the brand image of Pulsar. The adverts now need not to target sales but the brand building - to make Pulsar reach the status of a cult bike. These kinds of adverts, mainly seen from biggies like Nike, Coca Cola, Dove etc make you gasp and maybe even clap! And this ad is no less. Take a look here (ad culled from YouTube)
Labels: Brand Check, Brands, TVC
posted by Jas @ 12:17 AM,
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